Another 12 1100-LFC elements were flown in cardioid arrays on each side.
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Full range delay arrays, flown at seven hang points, comprised a total of 104 LYON-M and 20 LYON-W loudspeakers and 18 1100‑LFC low-frequency control elements.įor uniform visceral bass throughout the venue, Romme laid a foundation with dual end-fire arrays of 9-each 1100-LFC low frequency control elements augmented by 18 1100-LFC elements at center. The front fill system deployed 12 LEOPARD loudspeakers while the 270-degree far out fills were each 22 LEOPARD line array loudspeakers. The system’s main front arrays each comprised 16 LEO-M loudspeakers over two LYON-W wide coverage loudspeakers, with dual out arrays each configured with 16 LEO-M, four LYON-M and two LYON-W loudspeakers.
The close collaboration between Meyer Sound and the Bright Group was fundamental to the success of this project.” Teamwork was the key, according to Production Manager Hellsten: “We had tremendous support from Meyer Sound. The coverage turned out to be excellent, with smooth transitions between arrays thanks to the common LEO Family characteristics and great work by Anton.” “The distance from stage to rear topmost seats is about 150 meters and 30 meters high, so we configured the system with delays for both the main front and the out arrays. The combination of long throw distances, 270-degree seating and strict noise limits required a distributed approach with multiple delay systems, according to Romme. But with the Meyer Sound LEO Family system we achieved results that exceeded my expectations.” “It’s quite a difficult arena since it’s so huge and there is a lot of dampening,” notes Söderberg, “so it takes a lot of effort from the loudspeaker system to deliver the power and the clarity that we need. Heading the team assigned to this task were Production Manager Daniel Hellsten, Audio Systems Tech Anton Söderberg, and System Designer Theis Romme of Meyer Sound European Technical Support. Further complicating matters was a program blending a 30-piece orchestra with bass-heavy EDM tracks.
The event entailed numerous challenges for audio production, including visual profile limitations due to the live YouTube streaming, noise level restrictions, the sheer volume of the indoor stadium, and a combination of acoustic dampening and reflective surfaces that had bedeviled previous concerts. The Bright Group, Scandinavia’s leading provider of event technologies, supplied a complete audio, video and lighting production package anchored by a massive Meyer Sound LEO Family reinforcement system. The evening’s stellar lineup included 20 collaborators and peers, including vocalists Rita Ora, Aloe Blacc, Adam Lambert and Dan Tyminski along with DJ sets from David Guetta, Kygo, Laidback Luke, Dimitri Vegas & Like Mike and Nicky Romero. Setting a new all-time attendance record for the venue, more than 58,000 admirers streamed into Stockholm’s vast Friends Arena on December 5th for the Avicii Tribute Concert, a celebration of the life and work of beloved DJ and producer Tim Bergling - known professionally as Avicii.
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